Stephen King and Some Book Excerpts (The Best Books Of Stephen King)

"Kids, fiction is the truth inside the lie, and the truth of this fiction is simple enough: the magic exists."
 - Stephen King

 

 

 

He found himself reflecting---not for the first time---on the peculiarity of adults. They took laxatives, liquor, or sleeping pills to drive away their terrors so that sleep would come, and their terrors were so tame and domestic: the job, the money, what the teacher will think if I can't get Jennie nicer clothes, does my wife still love me, who are my friends. They were pallid compared to the fears every child lies cheek and jowl with in his dark bed, with no one to confess to in hope of perfect understanding but another child. There is no group therapy or psychiatry or community social services for the child who must cope with the thing under the bed or in the cellar every night, the thing which leers and capers and threatens just beyond the point where vision will reach. The same lonely battle must be fought night after night and the only cure is the eventual ossification of the imaginary faculties, and this is called adulthood.

 

-Stephen King, 'Salem's Lot'

 

 

 

 Carrie sat with her eyes closed and felt the black bulge of terror rising in her mind. Momma had been right, after all. They had taken her again, gulled her again, made her the butt again. The horror of it should have been monotonous, but it was not; they had gotten her up here, up here in front of the whole school, and they had repeated the shower-room scene… only the voice had said (my god that’s blood) something too awful to be contemplated. If she opened her eyes and it was true, oh, what then? What then?

 

-Stephen King, 'Carrie'

 

 

 

Jack Torrance thought: Officious little prick.

Ullman stood five-five, and when he moved, it was with the prissy speed that seems to be the exclusive domain of all small plump men. The part in his hair was exact, and his dark suit was sober but comforting. I am a man you can bring your problems to, that suit said to the paying customer. To the hired help it spoke more curtly: This had better be good, you. There was a red carnation in the lapel, perhaps so that no one on the street would mistake Stuart Ullman for the local undertaker.

As he listened to Ullman speak, Jack admitted to himself that he probably could not have liked any man on that side of the desk --- under the circumstances.

Ullman had asked a question he hadn't caught. That was bad; Ullman was the type of man who would file such lapses away in a mental Rolodex for later consideration.

"I'm sorry?"

"I asked if your wife fully understood what you would be taking on here. And there's your son, of course." He glanced down at the application in front of him. "Daniel. Your wife isn't a bit intimidated by the idea?"

"Wendy is an extraordinary woman."

"And your son is also extraordinary?"

Jack smiled, a big wide PR smile. "We like to think so, I suppose. He's quite self-radiant for a five-year-old."

No returning smile from Ullman. He slipped Jack's application back into the file. The file went into a drawer. The desk top was now completely bare except for a blotter, a telephone, a Tensor lamp, and an in/out basket. Both sides of the in/out were empty, too.

Ullman stood up and went to the file cabinet in the corner. "Step around the desk, if you will, Mr. Torrance. We'll look at the floor plans."

He brought back five large sheets and set them down on the glossy walnut plain of the desk. Jack stood by his shoulder, very much aware of the scent of Ullman's cologne. All my men wear English Leather or they wear nothing at all came into his mind for no reason at all, and he had to clamp his tongue between his teeth to keep in a bray of laughter. Beyond the wall, faintly, came the sounds of the Overlook Hotel's kitchen, gearing down from lunch.

"Top floor," Ullman said briskly. "The attic. Absolutely nothing up there now but bric-a-brac. The Overlook has changed hands several times since World War II and it seems that each successive manager has put everything they don't want up in the attic. I want rattraps and poison bait sowed around in it. Some of the third-floor chambermaids say they have heard rustling noises. I don't believe it, not for a moment, but there mustn't even be that one-in-a-hundred chance that a single rat inhabits the Overlook Hotel."

Jack, who suspected that every hotel in the world had a rat or two, held his tongue.

"Of course you wouldn't allow your son up in the attic under any circumstances."

"No," Jack said, and flashed the big PR smile again. Humiliating situation. Did this officious little prick actually think he would allow his son to goof around in a rattrap attic full of junk furniture and God knew what else?

Ullman whisked away the attic floor plan and put it on the bottom of the pile.

"The Overlook has one hundred and ten guest quarters," he said in a scholarly voice. "Thirty of them, all suites, are here on the third floor. Ten in the west wing (including the Presidential Suite), ten in the center, ten more in the east wing. All of them command magnificent views."

Could you at least spare the salestalk?

But he kept quiet. He needed the job.

Ullman put the third floor on the bottom of the pile and they studied the second floor.

"Forty rooms," Ullman said, "thirty doubles and ten singles. And on the first floor, twenty of each. Plus three linen closets on each floor, and a storeroom which is at the extreme east end of the hotel on the second floor and the extreme west end on the first. Questions?"

Jack shook his head. Ullman whisked the second and first floors away.

"Now. Lobby level. Here in the center is the registration desk. Behind it are the offices. The lobby runs for eighty feet in either direction from the desk. Over here in the west wing is the Overlook Dining Room and the Colorado Lounge. The banquet and ballroom facility is in the east wing. Questions?

"Only about the basement," Jack said. "For the winter caretaker, that's the most important level of all. Where the action is, so to speak."

 

-Stephen King, 'The Shining'

 

 

 

Everybody in the world has a center. Whatever mood a person is in, whatever clothes he or she is wearing, we recognize that person because he or she has a solid basis. Even if we haven't seen someone for many years, we can still recognize him: something inside him is permanent and the same as it always was and always will be. All a person's other qualities turn around this center.

Annie Wilkes occasionally lost her center. For periods of time which could last only a few seconds or longer, there was nothing solid in her. Everything about her was in motion, with no basis on which to rest. It was as if a hole opened up inside her and swallowed every human quality she possessed. She seemed to have no memory of these times. In contrast, however, her body was very solid and strong, especially for a middle-aged woman.
At first Paul was only aware that something was wrong with her, without knowing exactly what. His first direct experience of the hole came during a seemingly ordinary conversation.
Annie was, as usual, going on about how proud she was to have Paul Sheldon - THE Paul Sheldon - in her own home. "I knew your face," she said, "but it was only when I looked in your wallet that I was sure it was you."
"Where is my wallet, by the way?" asked Paul.
"I kept it safe for you," she answered. Her smile suddenly turned into a narrow suspiciousness which Paul didn't like: it was like discovering something rotten in a field of summer flowers. "Why do you ask?" she went on. "Do you think I'd steal something from it? Is that what you think, Mister Man?"
As she was speaking, the hole became wider and wider, blacker and blacker. In the space of a few seconds she was spitting words out viciously instead of politely. It was sudden shocking, violent.
"No, no," said Paul, disguising his shock. "It's just a habit of mine to know the whereabouts of my wallet."
Just as suddenly as it had opened, the hole in Annie closed up again and the smile returned to her face. Yet from then on, Paul was careful about what he said or did. So he didn't ask about hospital, and he didn't ask to ring his daughter and his agent on the phone. In any case he wasn't worried. His car would be found soon. Even if his car was covered with snow for weeks or months, he was a world - famous writer and people would be looking for him.

 

-Stephen King, 'Misery'

 

 

 

The terror, which would not end for another twenty-eight years – if it ever did end – began, so far as I know or can tell, with a boat made from a sheet of newspaper floating down a gutter swollen with rain.
The boat bobbed, listed, righted itself again, dived bravely through treacherous whirlpools, and continued on its way down Witcham Street toward the traffic light which marked the intersection of Witcham and Jackson. The three vertical lenses on all sides of the traffic light were dark this afternoon in the fall of 1957, and the houses were all dark, too. There had been steady rain for a week now, and two days ago the winds had come as well. Most sections of Derry had lost their power then, and it was not back on yet.
A small boy in a yellow slicker and red galoshes ran cheerfully along beside the newspaper boat. The rain had not stopped, but it was finally slackening. It tapped on the yellow hood of the boy’s slicker, sounding to his ears like rain on a shed roof … a comfortable, almost cozy sound. The boy in the yellow slicker was George Denbrough. He was six. His brother William, known to most of the kids at Derry Elementary School (and even to the teachers, who would never have used the nickname to his face) as Stuttering Bill, was at home, hacking out the last of a nasty case of influenza. In that autumn of 1957, eight months before the real horrors began, and twenty-eight years before the final showdown, Stuttering Bill was ten years old.
Bill had made the boat beside which George now ran. He had made it sitting up in bed, his back propped against a pile of pillows, while their mother played Fur Elise on the piano in the parlor and rain swept restlessly against his bedroom window.
About three-quarters of the way down the block as one headed toward the intersection and the dead traffic light, Witcham Street was blocked to motor traffic by smudgepots and four orange sawhorses. Stencilled across each of the horses was DERRY DEPT. OF PUBLIC WORKS. Beyond them, the rain had spilled out of gutters clogged with branches and rocks and big sticky piles of autumn leaves. The water had first pried fingerholds in the paving and then snatched whole greedy handfuls – all of this by the third day of the rains. By noon of the fourth day, big chunks of the street’s surface were boating through the intersection of Jackson and Witcham like miniature white-water rafts. By that time, many people in Derry had begun to make nervous jokes about arks. The Public Works Department had managed to keep Jackson Street open, but Witcham was impassable from the sawhorses all the way to the center of town.
But everyone agreed, the worst was over. The Kenduskeag Stream had crested just below its banks in the Barrens and bare inches below the concrete sides of the Canal which channelled it tightly as it passed through downtown. Right now a gang of men – Zack Denbrough, George’s and Bill’s father, among them – were removing the sandbags they had thrown up the day before with such panicky haste. Yesterday overflow and expensive flood damage had seemed almost inevitable. God knew it had happened before – the flooding in 1931 had been a disaster which had cost millions of dollars and almost two dozen lives. That was a long time ago, but there were still enough people around who remembered it to scare the rest. One of the flood victims had been found twenty-five miles east, in Bucksport. The fish had eaten this unfortunate gentleman’s eyes, three of his fingers, his penis, and most of his left foot. Clutched in what remained of his hands had been a Ford steering wheel.
Now, though, the river was receding, and when the new Bangor Hydro dam went in upstream, the river would cease to be a threat. Or so said Zack Denbrough, who worked for Bangor Hydroelectric. As for the rest – well, future floods could take care of themselves. The thing was to get through this one, to get the power back on, and then to forget it. In Derry such forgetting of tragedy and disaster was allmost an art, as Bill Denbrough would come to discover in the course of time.
George paused just beyond the sawhorses at the edge of a deep ravine that had been cut through the tar surface of Witcham Street. This ravine ran on an almost exact diagonal. It ended on the far side of the street, roughly forty feet farther down the hill from where he now stood, on the right. He laughed aloud – the sound of solitary, childish glee a bright runner in that gray afternoon – as a vagary of the flowing water took his paper boat into a scale-model rapids which had been formed by the break in the tar. The urgent water had cut a channel which ran along the diagonal, and so his boat travelled from one side of Witcham Street to the other, the current carrying it so fast that George had to sprint to keep up with it. Water sprayed out from beneath his galoshes in muddy sheets. Their buckles made a jolly jingling as George Denbrough ran toward his strange death. And the feeling which filled him at that moment was clear and simple love for his brother Bill … love and a touch of regret that Bill couldn’t be here to see this and be a part of it. Of course he would try to describe it to Bill when he got home, but he knew he wouldn’t be able to make him see it, the way Bill would have been able to make him see it if their positions had been reversed. Bill was good at reading and writing, but even at his age George was wise enough to know that wasn’t the only reason why Bill got all A’s on his report cards, or why his teachers liked his compositions so well. Telling was only part of it. Bill was good at seeing.
The boat nearly whistled along the diagonal channel, just a page torn from the Classified section of the Derry News, but now George imagined it as a PT boat in a war movie, like the ones he sometimes saw down at the Derry Theater with Bill at Saturday matinees. A war picture with John Wayne fighting the Japs. The prow of the newspaper boat threw sprays of water to either side as it rushed along, and then it reached the gutter on the left side of Witcham Street. A fresh streamlet rushed over the break in the tar at this point, creating a fairly large whirlpool, and it seemed to him that the boat must be swamped and capsize. It leaned alarmingly, and then George cheered as it righted itself, turned, and went racing on down toward the intersection. George sprinted to catch up. Over his head, a grim gust of October wind rattled the trees, now almost completely unburdened of their freight of colored leaves by the storm, which had been this year a reaper of the most ruthless sort.

-Stephen King, 'It'


 By four o’clock dark clouds had begun to build over Manhattan and the sound of thunder rolled back and forth between the city’s cliffs. Lightning forked down at the buildings. It was as if God were trying to frighten the few remaining people out of hiding. The light had become yellow and strange, and Larry didn’t like it. His belly was cramped and when he lit a cigarette it trembled in his hand the way the coffee cup had trembled in Rita’s this morning.
He was sitting at the street end of the access ramp, leaning his back against the lowest bar of the railing. His pack was on his lap, and the .30-.30 was leaning against the railing beside him. He had thought she would get scared and come back before long, but she hadn’t. Fifteen minutes ago he had given up calling her name. The echoes freaked him out.
Thunder rolled again, close this time. A chilly breeze ran its hand over the back of his shirt, which was pasted to his skin with sweat. He was going to have to get inside somewhere or else stop shitting around and go through the tunnel. If he couldn’t work up the guts to go through, he’d have to spend another night in the city and go over the George Washington Bridge in the morning, and that was 140 blocks north.
He tried to think rationally about the tunnel. There was nothing in there that was going to bite him. He’d forgotten to pick up a good big flashlight – Christ, you never remembered everything – but he did have his butanic Bic, and there was a guardrail between the catwalk and the road. Anything else … thinking about all those dead people in their cars, for instance … that was just panic talking, comic-book stuff about as sensible as worrying about the boogeyman in the closet. If that’s all youc an think about, Larry [he lectured himself], then you’re not going to get along in this brave new world. Not at all. You’re -
A stroke of lightning split the sky almost directly overhead, making him wince. It was followed by a heavy caisson of thunder. He thought randomly, July 1, this is the day you’re supposed to take your sweetie to Coney Island and eat hotdogs by the score. Knock down the three wooden milk-bottles with one ball and win the Kewpie doll. The fireworks at night -
A cold splash of rain struck the side of his face and then another hit the back of his neck and trickled inside the collar of his shirt. Dime-sized drops began to hit around him. He stood up, slung the pack over his shoulders, and hoisted the rifle. He was still not sure which way to go – back to Thirty-ninth or into the Lincoln Tunnel. But he had to get undercover somewhere because it was starting to pour.
Thunder broke overhead with a gigantic roar, making him squeal in terror – a sound no different than those made by Cro-Magnon men two million years before.
“You fucking coward,” he said, and trotted down the ramp toward the maw of the tunnel, his head bent forward as the rain began to come harder. It dripped from his hair. He passed the woman with her nose against the El Dorado’s passenger window, trying not to look but catching her out of the tail of his eye just the same. The rain drummed on the car roofs like jazz percussion. It was coming down so hard it bounced back up again, causing a light mist-haze.
Larry stopped for a moment just outside the tunnel, undecided and frightened again. Then it began to hail, and that decided him. The hailstones were big, stinging. Thunder bellowed again.
Okay, he thought. Okay, okay, okay, I’m convinced. He stepped into the Lincoln Tunnel.
It was much blacker inside than he had imagined it would be. At first the opening behind him cast dim white light ahead and he could see yet more cars, jammed in bumper to bumper (it must have been bad, dying in here, he thought, as claustrophobia wrapped its stealthy banana fingers lovingly around his head and began to first caress and then to squeeze his temples, it must have been really bad, it must have been fucking horrible), and the greenish-white tiles that dressed the upward-curving walls. He could see the pedestrian railing to his right, stretching dimly ahead. On his left, at thirty- or forty-foot intervals, were big support pillars. A sign adviSed him DO NOT CHANGE LANES. There were dark flourescents embedded in the tunnel’s roof, and the blank glass eyes of closed-circuit TV camera. And as he negotiated the first slow, banked curve, bearing gently to the right, the light grew dimmer until all he could see were muted flashes of chrome. After that the light simply ceased to exist, at all.
He fumbled out his Bic, held it up, and spun the wheel. The light it provided was pitifully small, feeding his unease rather than assuaging it. Even with the flame turned up all the way it only gave him a circle of visibility about six feet in diameter.
He put it back in his pocket, and kept walking, trailing his hand lightly along the railing. There was an echo in here, too, one he liked even less than the one outside. The echo made it sound like someone was behind him … stalking him. He stopped several times, head cocked, eyes wide (but blind), listening until the echoes had died off. After a bit he began to shuffle along, not lifting his heels from the concrete, so the echo wouldn’t recur.
Sometimes after that he stopped again and flicked the lighter close to his wristwatch. It was four-twenty, but he wasn’t sure what to make of that. In this blackness time seemed to have no objective meaning. Neither did distance, for that matter; how long was the Lincoln Tunnel, anyway? A mile? Two? Surely it couldn’t be two miles under the Hudson River. Let’s say a mile. But if a mile was all it was, he should have been at the other end already. If the average man walks four miles an hour, he can walk one mile in fifteen minutes and he’d already been in this stinking hole five minutes longer than that.
“I’m walking a lot slower,” he said, and jumped at the sound of his own voice. The lighter dropped from his hand and clicked onto the catwalk. The echo spoke bac, changed into the dangerously jocular voice of an approaching lunatic.
” … lot slower … lower … lower …”
“Jesus,” Larry muttered, and the echo whispered back: “zuss … zuss … zuss …”
He wiped a hand across his face, fighting panic and the urge to give up thought and just run blindly forward. Instead he knelt (his knees popped like pistol shots, frightening him again) and walked his fingers over the miniature topography of the pedestrian catwalk – the chipped valleys in the cement, the ridge of an old cigarette butt, the hill of a tiny tinfoil ball – until at last he happened on his Bic. With an inner sigh he squeezed it tightly in his hand, stood up, and walked on.
Larry was beginning to get himself under control again when his foot struck something stiff and barely yielding. He uttered an inhalatory sort of scream and took two staggering steps backward. He made himself hold steady as he pulled the Bic lighter from his pocket and flicked it. The flame wavered crazily in his trembling grasp.
He had stepped on a soldier’s hand. He was sitting with his back against the tunnel wall, his legs splayed across the walkway, a horrible sentinel left here to bar passage. His glazed eyes stared up at Larry. His lips had fallen away from his teeth and he seemed to be grinning. A switchblade knife jutted jauntily from his throat.
The lighter was growing warm in his hand. Larry let it go out. Licking his lips, holding the railing in a deathgrip, he forced himself forward until the toe of his shoe struck the soldier’s hand again. Then he stepped over, making a comically large stride, and a kind of nightmarish certainty came over him. He would hear the scrape of the soldier’s boots as he shifted, and then the soldier would reach out and clasp his leg in a loose cold grip.
In a shuffling sort of run, Larry went another ten paces and then made himself stop, knowing that if he didn’t stop, the panic would win and he would bolt blindly, chased by a terrible regiment of echoes.
When he felt he had himself under some sort of control, he began to walk again. But now it was worse; his toes shrank inside his shoes, afraid that at any second they might come in contact with another body sprawled on the catwalk … and soon enough, it happened.
He groaned and fumbled the lighter out again. This time it was much worse. The body his foot had struck was that of an old man in a blue suit. A black silk skullcap had fallen from his balding head into his lap. There was a six-pointed star of beaten silver in his lapel. Beyond him were another half a dozen corpses: two women, a man of middle age, a woman who might have been in her late seventies, two teenage boys.
The lighter was growing too hot to hold any longer. He snapped it off and slipped it back into his pants pocket, where it glowed like a warm coal against his leg. Captain Trips hadn’t taken this group off any more than it had taken the soldier back there. He had seen the blood, the torn clothes, the chipped tiles, the bullet holes. They had been gunned down. Larry remembered the rumors that soldiers had blocked off the points of exit from Island Manhattan. He hadn’t known whether to believe them or not; he had heard so many rumors last week as things were breaking down.
The situation here was easy enough to reconstruct. They had been caught in the tunnel, but they hadn’t been too sick to walk. They got out of their car and began to make their way toward the Jersey side, using the catwalk just as he was doing. There had been a command post, machine-gun emplacement, something.
Had been? Or was now?
Larry stood sweating, trying to make up his mind. The solid darkness provided the perfect theater screen on which the mind could play out its fantasies. He saw: grim-eyed soldiers in germproof suits crouched behind a machine gun equipped with an infrared peeper-scope, their job to cut down any stragglers who tried to come through the tunnel; one single soldier left behind, a suicide volunteer, wearing infrared goggles and creeping toward him with a knife in his teeth; two soldiers quietly loading a mortar with a single poison gas canister.
Yet he couldn’t bring himself to go back. He was quite sure that these imaginings were only vapors, and the thought of retracing his steps was insupportable. Surely the soldiers were now gone. The dead one he’d stepped over seemed to support that. But …
But what was really troubling him, he supposed, were the bodies directly ahead. They were sprawled all over each other for eight or nine feet. He couldn’t just step over them as he had stepped over the soldier. And if he went off the catwalk to go around them, he risked breaking his leg or his ankle. If he was to go on, he would have to … well … he would have to walk over them.
Behind him, in the darkness, something moved.
Larry wheeled around, instantly engulfed with fear at that single gritting sound … a footstep.
“Who’s there?” he shouted, unslinging his rifle.
No answer but the echo. When it faded he heard – or thought he did – the quiet sound of breathing. He stood bug-eyed in the dark, the hairs along the nape of his neck turning into hackles. He held his breath. There was no sound. He was beginning to dismiss it as imagination when the sound came again … a sliding, quiet footstep.
He fumbled madly for his lighter. The thought that it would make him a target never occurred to him. As he pulled it from his pocket the striker wheel caught on the lining momentarily and the lighter tumbled from his hand. He heard a clink as it struck the railing, and then there was a soft bonk as it struck the hood or trunk of a car below.
The sliding footstep came again, a little closer now, impossible to tell how close. Someone coming to kill him and his terror-locked mind gave him a picture of the soldier with the switchbalde in his neck, moving slowly toward him in the dark -
The soft, gritting step again.
Larry remembered the rifle. He threw the butt against his shoulder, and began to fire. The explosions were shatteringly loud in the closed space; he screamed at the sound of them but the scream was lost in the roar. Flashbulb images of tile and frozen lanes of traffic exploded one after another like a string of black and white snapshots as fire licked from the muzzle of the .30-.30. Ricochets whined like banshees. The gun whacked his shoulder again and again until it was numb, until he knew that the force of the recoils had turned him on his feet and he was shooting out over the roadway instead of back along the catwalk. He was still unable to stop. His finger had taken over the function of the brain, and it spasmed mindlessly until the hammer began to fall with a dry and impotent clicking sound.
The echoes rolled back. Bright afterimages hung before his eyes in triple exposures. He was faintly aware of the stench of cordite and of the whining sound he was making deep in his chest.
Still clutching the gun he whirled around again, and now it was not the soldiers in their sterile Andromeda Strain suits that he saw on the screen of his interior theater but the Morlocks from the Classic Comics version of H.G. Wells’s The Time Machine, humped and blind creatures coming out of their holes in the ground where engines ran on and on in the bowels of the earth.
He began to struggle across the soft yet stiff barricade of bodies, stumbling, almost falling, clutching the railing, going on. His foot punched through into some dreadful sliminess and there was a gassy, putrid smell that he barely noticed. He went on, gasping.
Then, from behind him, a scream rose in the darkness, freezing him on the spot. It was a desperate, wretched sound close to the limits of sanity: “Larry! Oh, Larry, for God’s sake -”
It was Rita Blakemoor.
He turned around. There was sobbing now, wild sobbing that filled the place with fresh echoes. For one wild moment he decided to go on anyway, to leave her. She would find her way out eventually, why burden himself with her again? Then he got hold of himself and shouted, “Rita! Stay where you are! Do you hear me?”
The sobbing continued.
He stumbled back across the bodies, trying not to breathe, his face twisted in an expression of grimacing disgust. Then he ran toward her, not sure how far he had to go because of the distorting quality of the echo. In the end he almost fell over her.
“Larry -” She threw herself against him and clutched his neck with a strangler’s force. He could feel her heart skidding along at a breakneck pace under her shirt. “Larry Larry don’t leave me alone here don’t leave me alone in the dark -”
“No.” He held her tightly. “Did I hurt you? Are .. are you shot?”
“No … I felt the wind … one of them went by so close I felt the wind of it … and chips … tile-chips, I think … on my face … cut my face …”
“Oh Jesus, Rita, I didn’t know. I was freaking out in here. The dark. And I lost my lighter … you should have called. I could have killed you.” The truth of it came home to him. “I could have killed you,” he repeated in stunned revelation.
“I wasn’t sure it was you. I went into an apartment house when you went down the ramp. And you came back and called and I almost … but I couldn’t … and then two men came after the rain started … I think they were looking for us … or for me. So I stayed where I was and when they were gone I thought, maybe they’re not gone, maybe they’re hiding and looking for me and I didn’t dare go out until I started to think you’d get to the other side, and I’d never see you again … so I … I … Larry, you won’t leave me, will you? You won’t go away?”
“No,” he said.
“I was wrong, what I said, that was wrong, you were right, I should have told you about the sandals, I mean the shoes, I’ll eat when you tell me to … I … I … oooohhhowww-”
“Shh,” he said, holding her. “It’s all right now. All right.” But in his mind he saw himself firing at her in a blind panic, and thought how easily one of those slugs could have smashed her arm or blown out her stomach. Suddenly he had to go to the bathroom very badly and his teeth wanted to chatter. “We’ll go when you feel like you can walk. Take your time.”
“There was a man … I think it was a man … I stepped on him, Larry.” She swallowed and her throat clicked. “Oh, I almost screamed then, but I didn’t because I thought it might be one of those men up ahead instead of you. And when you called out … the echo … I couldn’t tell if it was you … or … or …”
“There are more dead people up ahead. Can you stand that?”
“If you’re with me. Please … if you’re with me.”
“I will be.”
“Let’s go, then. I want to get out of her.” She shuddered convulsively against him. “I never wanted anything so badly in my life.”
He felt for her face and kissed her, first her nose, then each eye, then her mouth.
“Thank you,” he said humbly, having not the slightest idea what he meant. “Thank you. Thank you.”
“Thank you,” she repeated. “Oh dear Larry. You won’t leave me, will you?”
“No,” he said. “I won’t leave you. Just tell me when you feel like you can, Rita, and we’ll go together.”
When she felt she could, they did.
They got over the bodies, their arms slung about each other’s necks like drunken chums coming home from a neighborhood tavern. Beyond that they came to a blockage of some sort. It was impossible to see, but after running her hands over it, Rita said it might be a bed standing on end. Together they managed to tip it over the catwalk railing. It crashed onto a car below with a loud, echoing bang that made them both jump and clutch each other. Behind where it had been there were more sprawled bodies, three of them, and Larry guessed that these were the soldiers that had shot down the Jewish family. They got over them and went on, holding hands.
A short time latter Rita stopped short.
“What’s the matter?” Larry asked. “Is there something in the way?”
“No. I can see, Larry! It’s the end of the tunnel!”
He blinked and realized that he could see, too. The glow was dim and it had come so gradually that he hadn’t been aware of it until Rita had spoken. He could make out a faint shine on the tiles, and the pale blur of Rita’s face closer by. Looking over to the left he could see the dead river of automobiles.
“Come on,” he said, jubilant.
Sixty paces farther along there were more bodies sprawled on the walkway, all soldiers. They stepped over them.
“Why would they only close off New York?” she asked. “Unless maybe … Larry, maybe it only happened in New York!”
“I don’t think so,” he said, but felt a touch of irrational hope anyway.
They walked faster. The mouth of the tunnel was ahead of them now. It was blocked by two huge army convoy trucks parked nose to nose. The trucks blotted out much of the daylight; if they hadn’t been there, Larry and Rita would have had some light much farther back in the tunnel. There was another sprawl of bodies where the catwalk descended to join the ramp leading outside. They squeezed between the convoy trucks, scrambling over the locked bumpers. Rita didn’t look inside, but Larry did. There was a half-assembled tripod machine gun, boxes of ammunition, and canisters of stuff that looked like teargas. Also, three dead men.
As they came outside, a rain-dampened breeze pressed against them, and its wonderfully fresh smell seemed to make it all worthwhile. He said so to Rita, and she nodded and put her head against his shoulder for a moment.
“I wouldn’t go through there again for a million dollars, though,” she said.
“In a few years you’ll be using money for toilet paper,” he said. “Please don’t squeeze the greenbacks.”
“But are you sure –”
“That it wasn’t just New York?” He pointed. “Look.”
The tollbooths were empty. The middle one stood in a heap of broken glass. Beyond them, the westbound lanes were empty for as far as they could see, but the eastbound lanes, the ones which fed into the tunnel and the city they had just left, were crowded with silent traffic. There was an untidy pile of bodies in the breakdown lane, and a number of seagulls stood watch over it.
“Oh dear God,” she said weakly.
“There were as many people trying to get into New York as there were trying to get out of it. I don’t know why they bothered blockading the tunnel on the Jersey end. Probably they didn’t know why, either. Just somebody’s bright idea, busywork -”
But she had sat down on the road and was crying.
“Don’t,” he said, kneeling beside her. The experience in the tunnel was still too fresh for him to feel angry with her. “It’s all right, Rita.”
“What is?” she sobbed. “What is? Just tell me one thing.”
“We’re out, anyway. That’s something. And there’s fresh air. In fact, New Jersey never smelled so good.”
That earned him a wan smile. Larry looked at the scratches on her cheek and temple where the shards of tile had cut her.
“We ought to get you to a drugstore and put some peroxide on those cuts,” he said. “Do you feel up to walking?”
“Yes.” She was looking at him with a dumb gratitude that made him feel uneasy. “And I’ll get some new shoes. Some sneakers. I’ll do just what you tell me, Larry. I want to.”
“I shouted at you because I was upset,” he said quietly. He brushed her hair back and kissed one of the scratches over her right eye. “I’m not such a bad guy,” he added quietly.
“Just don’t leave me.”
He helped her to her feet and slipped an arm around her waist. Then they walked slowly toward the tollbooths and slipped through them, New York behind them and across the river.

-Stephen King, 'The Stand'



Then one day, very late in the spring – perhaps around October of 1987 – the long-time hobby suddenly turned into something else. One night while he was in the hole up to his waist with Raquel Welch hanging down over his ass, the pick end of his rock-hammer must have suddenly sunk into concrete past the hilt.
He would have dragged some chunks of concrete back, but maybe he heard others falling down into that shaft, bouncing back and forth, clinking off that standpipe. Did he know by then that he was going to come upon that shaft, or was he totally surprised? I don’t know. He might have seen the prison blueprints by then or he might not have. If not, you can be damned sure he found a way to look at them not long after.
All at once he must have realized that, instead of just playing a game, he was playing for high stakes … in terms of his own life and his own future, the highest. Even then he couldn’t have known for sure, but he must have had a pretty good idea because it was right around then that he talked to me about Zihuatenejo for the first time. All of a sudden, instead of just being a toy, that stupid hole in the wall became his master – if he knew about the sewer-pipe at the bottom, and that it led under the outer wall, it did, anyway.
He’d had the key under the rock in Buxton to worry about for years. Bow he had to worry that some eager-beaver new guard would look behind his poster and expose the whole thing, or that he would get another cellmate, or that he would, after all those years, suddenly be transferred. He had all those things on his mind for the next eight years. All I can say is that he must have been one of the coolest men who ever lived. I would have gone completely nuts after a while, living with all that uncertainty. But Andy just went on playing the game.
He had to carry the probability of discovery for another eight years – the probability of it, you might say, because no matter how carefully he stacked the cards in his favor, as an inmate of a state prison, he just didn’t have that many to stack … and the gods had been kind of him for a very long time; some nineteen years.
The most ghostly irony I can think of would have been if he had been offered a parole. Can you imagine it? Three days before the parolee is actually released, he is transferred into the light security wing to undergo a complete physical and a battery of vocational tests. While he’s there, his old cell is completely cleaned out. Instead of getting his parole, Andy would have gotten a long turn downstairs in solitary, followed by some more time upstairs … but in a different cell.
If he broke into the shaft in 1967, how come he didn’t escape until 1975?
I don’t know for sure – but I can advance some pretty good guesses.
First, he would have become more careful than ever. He was too smart to just push ahead at flank speed and try to get out in eight months, or even in eighteen. He must have gone on widening the opening on the crawlspace a little at a time. A hole as big as a teacup by the time he took his New Year’s Eve drink that year. A hole as big as a dinner-plate by the time he took his birthday drink in 1968. As big as a serving-tray by the time the 1969 baseball season opened.
For a time I thought it should have gone much faster than it apparently did – after he broke through, I mean. It seemed to me that, instead of having to pulverize the crap and take it out of his cell in the cheater gadgets I have described, he could simply let it drop down the shaft. The length of time he took makes me believe that he didn’t dare do that. He might have decided that the noise would arouse someone’s suspicions. Or, if he knew about the sewer-pipe, as I believe he must have, he would have been afraid that a falling chunk of concrete would break it before he was ready, screwing up the cellblock sewage system and leading to an investigation. And an investigation, needless to say, would lead to ruin.
Still and all, I’d guess that, by the time Nixon was sworn in for his second term, the hole would have been wide enough for him to wriggle through … and probably sooner than that. Andy was a small guy.
Why didn’t he go then?
That’s where my educated guesses run out, folks; from this point they become progressively wilder. One possibility is that the crawlspace itself was clogged with crap and he had to clear it out. But that wouldn’t account for all the time. So what was it?
I think that maybe Andy got scared.
I’ve told you as well as I can how it is to be an institutional man. At first you can’t stand those four walls, then you get so you can abide them, then you get so you accept them … and then, as your body and your mind and your spirit adjust to life on an HO scale, you get to love them. You are told when to eat, when you can write letters, when you can smoke. If you’re at work in the laundry or the plate-shop, you’re assigned five minutes of each hour when you can go to the bathroom. For thirty-five years, my time was twenty-five minutes after the hour, and after thirty-five years, that’s the only time I ever felt the need to take a piss or have a crap: twenty-five minutes past the hour. And if for some reason I couldn’t go, the need would pass at thirty after, and come back at twenty-five past the next hour.
I think Andy may have been wrestling with that tiger – that institutional syndrome – and also with the bulking fears that all of it might have been for nothing.
How many nights must he have lain awake under his poster, thinking about that sewer line, knowing that the one chance was all he’d ever get? The blueprints might have told him how big the pipe’s bore was, but a blueprint couldn’t tell him what it would be like inside that pipe – if he would be able to breathe without choking, if the rats were big enough and mean enough to fight instead of retreating … and a blueprint couldn’t've told him what he’d find at the end of the pipe, when and if he got there. Here’s a joke even funnier than the parole would have been: Andy breaks into the sewer-line, crawls through five hundred yards of choking, shit-smelling darkness, and comes up against a heavy-gauge mesh screen at the end of it all. Ha, ha, very funny.
That would have been on his mind. And if the long shot actually came in and he was able to get out, would he be able to get some civilian clothes and get away from the vicinity of the prison undetected? Last of all, suppose he got out of the pipe, got away from Shawshank before the alarm was raised, got to Buxton, overturned the right rock … and found nothing beneath? Not necessarily something so dramatic as arriving at the right field and discovering that a highrise apartment building had been erected on the spot, or that it had been turned into a supermarket parking lot. It could have been that some little kid who liked rocks noticed that piece of volcanic glass, turned it over, saw the deposit-box key, and took both it and the rock back to his room as souvenirs. Maybe a November hunter kicked the rock, left the key exposed, and a squirrel or a crow with a liking for bright shiny things had taken it away. Maybe there had been spring floods one year, breaching the wall, washing the key away. Maybe anything.
So I think – wild guess or not – that Andy just froze in place for a while. After all, you can’t lose if you don’t bet. What did he have to lose, you ask? His library, for one thing. The poison peace of institutional life, for another. Any future chance to grab his safe identity.
But he finally did it, just as I have told you. He tried … and, my! Didn’t he succeed in spectacular fashion? You tell me.
But did he get away, you ask? What happened after? What happened when he got to that meadow and turned over that rock … always assuming the rock was still there?
I can’t describe that scene for you, because this institutional man is still in this institution, and expects to be for years to come.
But I’ll tell you this. Very late in the summer of 1975, on September 15th, to be exact, I got a postcard which had been mailed from the tiny town of McNary, Texas. That town is on the American side of the border, directly across from El Porvenir. The message side of the card was totally blank. But I know. I know it in my heart as surely as I know that we’re all going to die somebody.
McNary was where he crossed. McNary, Texas.

-Stephen King, 'Rita Hayworth And The Shawshank Redemption' (A Novella)